Stolen food Essays

Stolen food Essays Stolen food Essay Stolen food Essay In chapter three, struggling with the guilt of stealing the food, drink, whittles and file, and the good for keeping his promise and caring for a suffering human being, Pip sets off to deliver these things to convict, Pip runs towards the marshes. A boy with Somebody-elses pork pie! Stop him! The cattle came upon me with like suddenness, staring out of their eyes, and steaming out of their nostrils, Holloa, young thief! One black ox, with a white cravat on who even had to my awakened conscience something of a clerical air fixed me so obstinately with his eyes, and moved his blunt head round in such an accusatory manner as I moved round, that I blubbered out to him, I couldnt help it, sir! It wasnt for myself I took it!. Personification is used when Pip is passing the cattle. The cattle begin to speak to Pip calling him a young thief for stealing somebody-elses pork pie. Imbruing his hands in me Pip is worried the young man will stain his hands with Pips blood; Pip is obviously frightened at the thought of it. Sympathy is created here because he is very young and he is worrying so much. The serialised format allows for more tension, suspense and drama, this quote makes us think that Pip may actually be in danger with the young man. Later, Mr. Pumblechook, Mr. Wopsle, Mr. and Mrs. Hubble horribly terrorise Pip in perpetuity during the Christmas dinner. The anxiety grows within Pip in chapter five as he awaits Mrs. Joes discovery of the missing food. The fear Pip has is lifted by the conversation everyone is having about Pip being such a nuisance to raise and that people should feel sympathetic towards Mrs. Joe, which is something Dickens clearly does not want us to feel. They seemed to think the opportunity lost if they failed to point the conversation at me, every now and then, and stick the point into me. I might have been an unfortunate little bull in a Spanish arena, I got so smartingly touched up by these moral goads. In this chapter, Mr. Pumblechook and Mr. Wopsle notice similarities between the pig on the table. They are trying to say that Pip should be grateful for what he has and who he is; otherwise, if he were a pig, then he would be served to an ungrateful person, such as himself. Mr. Pumblechook appears as a self centred fool, Dickens purposely chose a silly name for a silly person. The sympathetic person here is Joe. Joe is too humble and shy to express his sympathy, so he gives Pip extra gravy as encouragement. Dickens has made it clear that Joe is more graceful and charitable than the wealthy Mr. Wopsle and Mr. Pumblechook who claim they themselves are charitable and graceful, while in actuality they hardly are. These moments in Pips childhood seem to be fresh in his memory, pointing out that he is distressed from the guilt he had enforced by Mrs. Joe, Mr. Pumblechook and Mr. Wopsle. Dickens has made us feel sympathetic towards Pip because Pip is very young and at that age he is too innocent to realise that he should not feel guilty and that his accusers should really be feeling guilty. Pip thinks he deserves to be treated in such a manner by his sister, Mr. Wopsle and Mr. Pumblechook, although Pip knows as an adult that he is treated dreadfully by them, he accepts it because of his guilt. Toward the end of chapter four, Mr. Pumblechook has a bit of the brandy Pip has stolen and filled the remainder of the bottle with tar water. Mr. Pumblechook starts to cough and Pip is frightened since he is sure that Mr. Pumblechook will notice. The pork pie that Pip had also stolen was on the menu for dessert, a symbol representing Pips guilt, shame and also misery. Having such a splendid meal is no comfort for having such a miserable day, especially Christmas day. Since the beginning of the novel, Pip also feels a different kind of guilt, a criminal guilt. The first type of guilt is the guilt that Mrs. Joe and others make him feel while this guilt is more pardonable because Pip knows that he should not be doing these things. Pip is constantly bound to being connected with criminals. We do not reprehend Pip because his conscience makes him pay for his crime as he constantly is in guilt throughout the novel. Through Pips agony and guilt, Charles Dickens indicates that Pip is the object of sympathy in the novel. The reader also feels sorry for him because of Pips anguish. The suffering Pip feels is mainly caused by the guilt he feels. He feels guilt from associating with criminals and even by thinking that he was a burden for his sister. He is continuously tormented by Mrs. Joe when he is young. Her views have inclined Pips self imagery, which has caused him to assume that his life causes nothing but despair and disturbance to those around him. Humour and irony are powerful devices in these chapters as most of the narrative is driven by guilt. The guilt has a depressing tone, so to lighten things up a bit of irony and humour is added. An example of humour is in the first chapter, where Pip calls his deceased parents by the only names he knows them as: Phillip Pirrip, late of this parish and also Georgiana, wife of the above. His deceased brothers are described as the five little stone lozenges. Another example of humour is when Pip politely requests that he be held the right way up when he first meets Magwitch and also when Pip expresses his delight when Magwitch enjoys the stolen food. The innocent way pip describes his sisters outbursts that are targeted towards either him or Mr. Joe are comical too. Throughout the first five chapters of Great Expectations, Pips narration stresses his negative characters and attributes, namely his guilt and dishonesty. The fundamental meeting betwixt Magwitch, the runaway convict who made sure that the young man was captured even for the price of his own freedom, and Pip, the young innocent boy who is guilt ridden by his very existence, will turn out to be an unlikely but major relationship in Great Expectations. The cardinal relationship that will be the rousing of Pips Great Expectations. We will also experience his ups and downs through is extraordinarily clear yet intimate narration.